Friday, April 11, 2014

Tucson Trip alert

I'm transferring this travelogue to my FB account because I don't use Picasa and Google won't let me add pics to this unless I do.

For the rest of the trip,  see FB.

CBone

Thursday, April 10, 2014

Day One: Burlington to Tucson

The taxi driver came fifteen minutes early today - 430am.  Everything worked.  Arrived in Tucson fifteen minutes early.  My bag arrived as well.  Yay.

I mostly read on the flights.  The three planes were full.  I had window seats on each of the flights (BTV to DC to DFW to TUC).  On none of the flights were there any conversations among myself and my seatmates.  Quiet all the way.  I was reading The Sandcastle Girls by Chris Bohjalian.  I first heard of Armenia from my Mom.  Yes, she was one of those Moms that invoked the starving Armenians when I wasn't anxious to eat my broccoli.  She was thirteen years old when the genocide began.  I never learned what she knew about and thought about that situation.  She did mention because her Mom and Dad were German, her family tried to keep a low profile during those WW 1 years.

I had one thought looking at the window at 35000k feet.  Every morning I walk the dog(s) on pretty much the same route.  I know that route well.  Not as well as Kuma but well enough.  I know the favorite spots, when there was snow and ice on the ground, I knew the dangerous places, I know where there are other dogs who might distract my pair.  The point here is familiarity.  So I have deep feelings about this walk and places on this walk - I know it well.  I was struck, looking out my seat window, by how literally distant I was from the "places" on the ground.  I had no feelings for those places.  I felt (and was) disconnected.  I wonder...how can we possibly care about each other in this country without an expanded sense of place?  We can't.  So the question becomes, how can we develop a sense of place that is all our "place."  We need that as a country, don't we? Don't we need that caring for each other in order to move ourselves forward?

Tomorrow we are off early, to Santa Fe.  We already have identified a Diners, Drive-Ins, and Dives (3D) place for lunch - Shorties in Hatch, NM.  Their specialty?  Geen Chili Burgers!

Also, Denver may have 4" of snow on Sunday.  If so, we will recalculate and avoid Colorado.

BTW - I wanted to get a picture into this blog but failed.  I'll continue to work on it.

Bye until later.

Wednesday, April 9, 2014

Tucson Trip: the day before



The snow has left us this week. More or less. Forsythia beckons the weather. I leave tomorrow for the Lipson road trip back from Tucson.  I will blog our stops. Once it begins. For now, I think we've got the technology working so I can leave the laptop at home. Yay!

Monday, April 7, 2014

Letter to Cianya: A Sunday School Stroll to Church St.

On Sunday, I was on for teaching the older children in Sunday School.  "Children" was actually one child, my grandaughter.  Of the three plans I'd prepped, I took the fourth.  It was one of the first beautiful days of our Spring Season.  It was warm!  So I decided to pick up on the blurb that always leads off our Sunday bulletin and see if we could deconstruct its meaning.  It didn't hurt that Mike, our pastor, used the story of Ezekiel and the dry bones as the context of his children's story.  Cianya and I had one of those magical moments in time for our thirty minute walk up Cherry St.  By the time we'd returned I'd resolved to write her a note recalling our stroll, as much for myself as for her.  Here it is.

Dear Cianya,

Today's Bulletin Blurb:  Today’s prophets must linger in the valley long enough to recognize the futility of human efforts.  The task of the church is to admit to the world that our redemption has never come by denominational decision, political platform, or common convention.  Our revitalization is spoken in the word of God.  Joy J. Moore

Redemption = forgiveness or salvation, theologically speaking

Today's Scripture:  Ezekiel 37: 1-14.  The dry bones.  God’s promise to Ezekiel that he will rescue the Jews in the same way he breathed muscle, sinew, skin, and new life into the dry bones.  Mike did this with the kids and we all sang the song.

Reflection
Being one of the first beautiful and warm Sundays of 2014, we went outside into the warm sunshine.  You loved the warmth on the rocks.  There, we talked about what a prophet is, low places and high places, “the word of God,” God’s promise to Ezekiel, the relationship he had personally with his people.  You noted that a prophet is a person who makes promises for the future; I noted a prophet is kind of like the people we call futurists today.

So we resolved to walk up the hill towards Church St. looking for low places and high places. 

At first, we thought about these low and high places geographically, hills and valleys.  We talked a little about low places being a metaphor for being in a bad place, dark, dangerous even, depressed.  (You knew about “depression” because of the conversations we’d had when you and Ana did your school presentation on The Great Depression!=.)  High places, in the Bible anyway, were generally places where God could be found or where people went to talk with God.

We saw lots of people walking, trampled brown grass, snow banks with their concentrated filth, felt the bright warmth on our faces, and noted how the sunshine lifted our spirits.  I wondered out loud about these things, whether or not they might be considered low or high.  We decided to purposefully smile and say hello to people coming towards us as a way of creating the good feelings of a greeting and a smile (hospitality).  At least one of each of the two couples that passed us smiled, grinned actually, and returned the greetings.  That made us feel good (grace).

We then stopped as we were approaching the tablet below the big bell at the Cathedral of the Immaculate Conception and counted all the church steeples we could see from that vantage point:  five or six – First Congregational, United Methodist, Ira Allen, the Cathedral, and the Baptist Church, and St. Paul’s, the church we’d just left.  We read the tablet, looked at the pictures, saw Ed Granai in one of the pictures that showed the founding members of the Italian Culture Society, a group that had formed a decade or two ago to reaffirm the important role Italians had in forming 20th Century Vermont and the role they took in that particular parish.  We read about the Cathedral and how it was set afire by an arsonist in 1973.  We noted that the steeples were obvious reminders of the presence of high places (God, really) in the heart of our downtown. 

Then we got to Church St.  A tall, older man wearing bright yellow parka, large dark, black sunglasses and a ski hat was waiting on the edge of the intersection of Church St. and Cherry St. next to a collection of boxes and one table, all painted black.  He saw us looking and re-counting the steeples and asked us what we were doing.  He, too, pointed out the steeples, especially the one from the Baptist Church which he noted was “his Church.”  We told him we were on a walk from our Church and were thinking about where we might locate low places and high places in the midst of the “city.”  He thought for a brief moment, then pointed at City Sports and one other business, and said, “I suppose they could be either low places or high places.  Depends how you look at it.”  And that comment flipped our thinking and I think, Cianya, you and I both had the same thought at the same time.  Whether a place was low or high really depended on how you perceived that moment.  You could bring meaning to any place or situation, and if God truly inhabits our hearts, all we have to do is all forth who God would have us be to make any (any???) place a high place.  Although we didn’t say this at the time, I wonder if that’s what it means to “live humbly with your God.” 

Then a station wagon pulled up, a much younger man got out, and together, he and the older man started to load up the car with the boxes and table.  You immediately recognized the younger man as the Street Performer of Church St. and told me several stories of connections you’ve had with him.  We headed back to CCP, feeling somewhat changed, if not a little smug (well, me anyway) that we’d figured something out that might stay with us for quite a while.  You asked me if, no told me that even a funeral could be a high place for someone, depending on what they might be reminded of during the funeral.  Good thinking.  You were way ahead of me!

On the way back, across from Macy’s, we met a couple with a furry dog, the kind of dog with those light blue eyes. They asked us directions “to the park in the middle of town.”  After a moment of going back an forth, we figured out they meant City Hall Park. We told them to go back to Church St. turn night, etc., you were invited to pet the dog, who wagged at your touch, they expressed their appreciation for the directions and wished us good day!  Our little sojourn into low places, high places, and humble walking ended with you doing cartwheels and round-offs across the parking lot as we got back to church.  “The sunlight and warm air just makes me feel so Good!”

I safely tucked my notes into my hip pocket.  This was a set of moments I wanted to make sure got written down.  And so it is.


Goppa

Tuesday, September 27, 2011

Integrity

I'm wanting to do something with my photographs - share them without the hassle of a more formal gallery show.  For now, anyway.  Enjoy.  My thought for Integrity is something like the purity and honesty of nature, in all its facets, ugly and otherwise, it is in all regards, honest and straight forward.


Monday, September 26, 2011

Revisiting Multiage Portraits

Multiage Portraits: Teaching and Learning in Mixed-Age ClassroomsMultiage Portraits: Teaching and Learning in Mixed-Age Classrooms by Anne Bingham





(Written on the occasion of posting Portraits in my Goodreads account.)

A few nights ago, I was reading the first chapters of Naked Spirituality by Brian McClaren.  McClaren is asking us to reclaim and enliven our spiritual lives by spiritual practice, the first of which is centered on the word, "Here."  Something in his writing made me go back and read the introduction to Portraits.  In the intro, I touch on teaching as something you are called to do (for the really great teachers) and I make the observation that in these classrooms, when children become absorbed in their learning, it is almost a spiritual experience.  They feel and act within their very essence.  I just touched on the point lightly.  Now, almost twenty years later, having revisited the crystal clear descriptions of elegant everyday practice Peggy and Anne and Molly and Justine wrote about, and sensing again the power of being totally "into" what you are learning, I am more convinced than ever that I was right.

CR


I wrote this book along with Anne, Justine, Molly, and Peggy.  It was an attempt to describe what good multiage teaching practices looks like.  We did it two ways:  I did a participant observation study of Anne's k-4 multiage classroom (Part 1. of the book) and each of the teachers wrote multiple essays describing how they approached their teaching day Part 2. of the book).  Part 3. put Parts One and Two together through a reflection on the writing of Lev Vygotsky.  The book sold 1300 copies.  It is beautiful teacher writing, and the moment to moment interactions I describe in Part 1. aren't so bad either.  The teacher-authors taught multiage in the old fashioned way.  One class with a group of children who happened to be of different ages.  This is not about how to teach "combined grades" or "combination classrooms" organized because of mismatched numbers of children at different grade levels.  It's about teaching heterogeneous, family-grouped, collections of children, organized because of a philosophical commitment to good developmentally inspired teaching. Period.



View all my reviews

Wednesday, April 6, 2011

Animoto fun

Been playing around with Animoto, a way to make videos from simple to complex. This is a quickie I put together to explain a bit of Universal Design for Learning to an audience who glazes over as soon as they think they are going to see another powerpoint. What do you think?

UDL@UVM